David Bordwell, “The Idea of Montage in Soviet Art and Film,” Cinema Journal 11, 2 (Spring 1972): 9-17. ONLINE

Readings (not included in FH and CR)

• Vance Kepley, Jr., “The Origins of Soviet Cinema: A Study in Industry Development” (1985), rpt. in Inside the Film Factory: New Approaches to Russian and Soviet Cinema, ed. Richard Taylor and Ian Christie (New York: Routledge, 1991), pp. 60-79. Ebook. Also at: Innis, Robarts, VIC/Pratt.
• Document / Lev Kuleshov, excerpt from Art of the Cinema (1929), rpt. in Kuleshov on film : writings, ed. Ronald Levaco (Berkeley: University of California Press), pp. 41-55. PRINT - Innis, Robarts, St. Mike's, Gerstein, et al.
• Document / Vsevolod Pudovkin, excerpt from Film Technique (1926), rpt. from one of the following: 
  • in Film Theory and Criticism, Third Edition, ed. Gerald Mast and Marshall Cohen (New York: Oxford University Press, 1985), pp. 83-89. PRINT only Robarts, VIC/Pratt.
  • in  "Methods of Treatment of Material (Structural Editing)"  in Film Technique and Film Acting: The Cinema Wrtings of V. I. Pudovkin. pp. 38-50. (Internet Archive). EBOOK
• Document / Sergei Eisenstein, “Beyond the Shot” and “The Dramaturgy of Film Form” (1929), rpt. in S.M. Eisenstein: Selected Works, Vol. I, Writings, 1922-34, ed. Richard Taylor (London: British Film Institute, 1988), pp. 138-150; 161-180. Innis, VIC/Pratt; Robarts. There is a EBOOK Version aviailable: 
  •  S. Eisenstein and R. Taylor, Sergei Eisenstein selected works.. Volume I, Writings, 1922-1934,  2019.  
     

Unless noted otherwise, all items immediately below are ebooks. For additional material, both print and online, and covering all periods of Soviet & Russian cinema, see Finding Books (at right).

• Soviet Cinema: Politics and Persuasion under Stalin.
• Russian and Soviet Film Adaptations of Literature, 1900-2001: Screening the World.
• Stalinist cinema and the production of history: museum of the revolution.
• Early cinema in Russia and its cultural reception.
• The politics of the Soviet cinema, 1917-1929.
• Visions of a new land: Soviet film from the Revolution to the Second World War.
• How the Soviet man was unmade: cultural fantasy and male subjectivity under Stalin.
• Russian avant-garde and radical modernism: an introductory reader. 
• Silent witnesses: Russian films, 1908-1919. PRINT only Innis, Robarts, St. Mike's, VIC/Pratt.

Dictionaries, directories

• Historical dictionary of Russian and Soviet cinema Ebook.
• Directory of World Cinema: Russia Ebook.

Articles

• Mayne, Judith. "Soviet Film Montage and the Woman Question.", Camera Obscura 1989 Volume 7, Number 1 19: 24-53.
• Bordwell. David. "The Idea of Montage in Soviet Art and Film." Cinema Journal , Vol. 11, No. 2 (Spring, 1972), pp. 9-17.

Journals

• Studies in Russian & Soviet cinema
• KinoKultura (in English)

Other

• Tsivian, Yuri, and Annenberg Center for Communication. Immaterial Bodies a Cultural Analysis of Early Russian Films = [Bestelesnye Li͡udi : Stilʹ i Kulʹtura Rannego Russkogo Kino. Los Angeles, Calif: University of Southern California Annenberg Center for Communication, 1999. CD-ROM. (Explore UofT Tech loans for external disc drives)