Indigenous Book Club & Discover Indigenous Authors

From the bestselling author of A Mind Spread Out on the Ground, a fierce, gripping novel about Native life, motherhood and mental health that follows a young Mohawk woman who discovers that the picture-perfect life she always hoped for may have horrifying consequences.

On the surface, Alice is exactly where she should be: She’s just given birth to a beautiful baby girl, Dawn; her ever-charming husband, Steve—a white academic whose area of study is conveniently her own Mohawk culture—is nothing but supportive; and they’ve recently moved into a new home in a wealthy neighborhood in Toronto, a generous gift from her in-laws. But Alice could not feel like more of an imposter. She isn’t connecting with Dawn, a struggle made even more difficult by the recent loss of her own mother, and every waking moment is spent hiding her despair from Steve and their ever-watchful neighbors, among whom she’s the sole Indigenous resident. Even when she does have a moment to herself, her perpetual self-doubt hinders the one vestige of her old life she has left: her goal of writing a modern retelling of the Haudenosaunee creation story. At first, Alice is convinced her discomfort is of her own making. She has gotten everything she always dreamed of, after all. But then strange things start happening. She finds herself losing bits of time, hearing voices she can’t explain, and speaking with things that should not be talking back to her, all while her neighbors’ passive-aggressive behavior begins to morph into something far more threatening. Though Steve assures her this is all in her head, Alice cannot fight the feeling that something is very, very wrong, and that in her creation story lies the key to her and Dawn’s survival. . . . She just has to finish it before it’s too late.

Told in Alice’s raw and darkly funny voice, And Then She Fell is an urgent and unflinching look at inherited trauma, womanhood, denial, and false allyship, which speeds to an unpredictable—and surreal—climax. - Summary provided by publisher.

NATIONAL BESTSELLER
In this haunting and groundbreaking historical novel, Danielle Daniel imagines the lives of women in the Algonquin territories of the 1600s, a story inspired by her family's ancestral link to a young girl who was murdered by French settlers.

1657. Marie, a gifted healer of the Deer Clan, does not want to marry the green-eyed soldier from France who has asked for her hand. But her people are threatened by disease and starvation and need help against the Iroquois and their English allies if they are to survive. When her chief begs her to accept the white man's proposal, she cannot refuse him, and sheds her deerskin tunic for a borrowed blue wedding dress to become Pierre's bride.

1675. Jeanne, Marie's oldest child, is seventeen, neither white nor Algonquin, caught between worlds. Caught by her own desires, too. Her heart belongs to a girl named Josephine, but soon her father will have to find her a husband or be forced to pay a hefty fine to the French crown. Among her mother's people, Jeanne would have been considered blessed, her two-spirited nature a sign of special wisdom. To the settlers of New France, and even to her own father, Jeanne is unnatural, sinful--a woman to be shunned, beaten, and much worse.

With the poignant, unforgettable story of Marie and Jeanne, Danielle Daniel reaches back through the centuries to touch the very origin of the long history of violence against Indigenous women and the deliberate, equally violent disruption of First Nations cultures.

A powerful and historically accurate graphic portrayal of indigenous resistance to the European colonisation of the Americas, beginning with the Spanish invasion under Christopher Columbus and ending with the Six Nations land reclamation in Ontario in 2006. Gord Hill spent two years unearthing images and researching historical information to create the 500 Years of Resistance Comic Book, which presents the story of Aboriginal resistance in a far-reaching format.

A grieving mother calls out to her faraway son. A student forgoes the lurid appeal of dating apps in exchange for a painter's love. The anonymous voices of queer native men converge amid violent eroticism. A man just out of prison balances the uneasy weight of family and freedom, while a professor returns home to conduct research only to be haunted by a dark specter. The stories and voices in Billy-Ray Belcourt's debut story collection are buoyed by philosophical undergirding, poetic demand, and the complex relationship between aesthetics and ethics. Belcourt pirouettes through the short story form in his signature staccato voice, imagining a range of characters from all walks of native life. He is an expert in celebrating the ways Indigenous peoples make total conquest impossible.

Niitsitapi writer and director Ahnahktsipiitaa (Colin Van Loon) takes us beyond the veil of traditional media and transports us directly into another realm, where past, present and future are one; where colonial rules and assumptions are forgotten; and where we can finally get to the truth of the matter.

In this stunning, cinematic VR experience, we’re invited to watch as the narrative unfolds all around us, on a dream-like plane of existence where spirits and time flow and merge, and stories come to life and dance before our eyes. Inside this immersive virtual world, two Indigenous trickster poets in mirrored red suits and long braids guide us on a journey, in which community protocols confront our notions of personal responsibility. The pair’s sharp wit and caustic humour will be familiar to anyone who has spent time in First Nation communities, and their comradery keeps us at ease as we explore some of the darker sides of living life in Canada while Indigenous.

Matriarchs and Inii (buffalo) rule this virtual realm. They pull no punches, yet they lead us with kindness, bringing us face-to-face with some of the grim realities Indigenous Peoples have experienced. We explore the stories of two Indigenous men wounded by the colonial tradition of systemic racism. These stories disrupt the status quo, laying bare the benign cruelty of colonial oppression, and dare to ask, “Now that you know, just what are you going to do about it?”

https://www.oculus.com/experiences/media/591319365303537/

Dive into the myriad of ways Indigenous writers are sharing their stories, from plays to poetry and everything in between. Join us every episode as we chat with the author and our guest-hosts about the book, their lives and what it means to be an Indigenous storyteller. Our Stories: Indigenous Book Club is in partnership with Goodminds.com. Looking to read along with us? Get your books at Goodminds.com, a First Nations-owned family business.

Leanne Betasamosake Simpson is a renowned Michi Saagiig Nishnaabeg artist, musician, poet and writer, who has been widely recognized as one of the most compelling Indigenous voices of her generation.

Leanne's RPM debut LP, f(l)light, is a haunting collection of story-songs that effortlessly interweave Simpson’s complex poetics and multi-layered stories of the land, spirit, and body with lush acoustic and electronic arrangements, and claims a unique space in contemporary Indigenous music and performance.

The album is a haunting, powerful hybrid of words, songs, and perspectives. From the gentle invocation of other forms of life offered in songs like “Road Salt” and “The Oldest Tree in the World”, to the dissonant sonics of “Caribou Ghosts and Untold Stories” and the pulsing, hypnotic rhythms of “Under Your Always Light”, Simpson’s words reverberate within and between the sounds that surround them.

f(l)ight is the sound of ancestral memory and present possibility unfolding toward a horizon of freedom.

Arctic Song, by Inuit artist, storyteller and co-director Germaine Arnattaujuq (Arnaktauyok), is an animated short about Inuit creation stories from the Iglulik region in Nunavut: the raven who brings daylight to the world, the giants who turn into mountains, and the animals that create shimmering constellations and northern lights. The film makes traditional knowledge accessible to younger generations by combining some of Arnattaujuq's existing graphic art with animation and Inuktitut narration. The stories are sung in haunting tones, lending a sense of meditative beauty to the film. Arctic Song not only shares Inuit knowledge in Inuktitut, but highlights the rich world of Inuit art that has always flourished in the Canadian Arctic and continues to delight international audiences.

Indigenous beadwork has taken the art world by storm, but it is still sometimes misunderstood as static, anthropological artifact. Today's prairie artists defy this categorization, demonstrating how beads tell stories and reclaim cultural identity. Whether artists seek out and share techniques through YouTube videos or in-person gatherings, beading fosters traditional methods of teaching and learning and enables intergenerational transmissions of pattern and skill.

In Bead Talk, editors Carmen Robertson, Judy Anderson, and Katherine Boyer gather conversations, interviews, essays, and full-colour reproductions of beadwork from expert and emerging artists, academics, and curators to illustrate the importance of beading in contemporary Indigenous arts. Taken together, the book poses and responds to philosophical questions about beading on the prairies: How do the practices and processes of beading embody reciprocity, respect, and storytelling? How is beading related to Indigenous ways of knowing? How does beading help individuals reconnect with the land? Why do we bead?

Showcasing beaded tumplines, text, masks, regalia, and more, Bead Talk emphasizes that there is no one way to engage with this art. The contributors to this collection invite us all into the beading circle as they reshape how beads are understood and stitch together generations of artists.