Visual Cultural Studies

A Companion to Contemporary Art is a major survey covering the major works and movements, the most important theoretical developments, and the historical, social, political, and aesthetic issues in contemporary art since 1945, primarily in the Euro-American context. Collects 27 original essays by expert scholars describing the current state of scholarship in art history and visual studies, and pointing to future directions in the field. Contains dual chronological and thematic coverage of the major themes in the art of our time: politics, culture wars, public space, diaspora, the artist, identity politics, the body, and visual culture. Offers synthetic analysis, as well as new approaches to, debates central to the visual arts since 1945 such as those addressing formalism, the avant-garde, the role of the artist, technology and art, and the society of the spectacle.

The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.

Edited by Joan Marter, Distinguished Professor of Art History at Rutgers University, the five-volume Encyclopedia reconceptualizes American Art from the vantage point of the twenty-first century with a new methodological approach and broader scope than any such work published to date. It covers American painting, architecture, sculpture, and photography from the Pre-Columbian sources to the colonial period to the twenty-first century devoting coverage to many previously underrepresented areas of inquiry, including African American artists, Asian American artists, and Native American art, both historical and contemporary.

Crammed with more than 700 illustrations and peppered with thoughtful texts by a team of curators from the Museum of Modern Art, New York, this volume showcases the museum's extensive holdings of contemporary art.

This work replaces Harold Osborne's Oxford Companion to Art (1970), which has been continuously in print for thirty years. There are over 2600 entries, alphabetically arranged. Almost half of them cover artists, from classical times to the twentieth century. Other entries discuss art styles and movements, art forms (such as battle painting, landscape, caricature, or stained glass), specialist terms, and materials and techniques in all media.

Concentrating on the decades since World War II, environmental historian Ellen Griffith Spears explores environmentalism as a "field of movements" rooted in broader social justice activism.