Here is a story of several people, each of whom has private reasons for travelling to the Big Oakland Powwow. Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame. Dene Oxendene is pulling his life together after his uncle's death and has come to work at the powwow to honour his uncle's memory. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil Red Feather, who has taught himself traditional Indian dance through YouTube videos and has come to the powwow to dance in public for the very first time. There will be glorious communion, and a spectacle of sacred tradition and pageantry. And there will be sacrifice, and heroism, and unspeakable loss. Fierce, angry, funny, heartbreaking, There There is a relentlessly paced multi-generational story about violence and recovery, memory and identity, and the beauty and despair woven into the history of a nation and its people. An unforgettable debut. (From publisher website)

Kiss of the Fur Queen, Cree playwright/pianist Tomson Highway’s debut novel, is the story of champion dog-sled racer Abraham Okimasis and his sons Jeremiah, a pianist, and Gabriel, a dancer. As the brothers journey from northern Manitoba to residential school and then to Winnipeg, a mysterious trickster figure – the Fur Queen – plays witness to their lives. The resulting story is about sibling rivalry and sibling love, and the effects of re-education and religious conversion on one family’s existence.

With winter looming, a small northern Anishinaabe community goes dark. Cut off, people become passive and confused. Panic builds as the food supply dwindles. While the council and community members struggle to maintain order, an unexpected visitor arrives, escaping the crumbling society to the south. Soon after, others follow. Frustrated by the building chaos, a group of young friends and their families turn to the land and Anishinaabe tradition in hopes of helping their community thrive again. Guided through the chaos by an unlikely leader, they endeavour to restore order while grappling with a grave decision.

A girl grows up in Nunavut in the 1970s. She knows joy and love. She knows boredom and bullying. She knows the tedium of the everyday and the seductive energy of the animal world. She knows the ravages of alcohol and violence. When she becomes pregnant, she must navigate all this. Veering between the grittiest features of a small arctic town, the electrifying proximity of the animal world and the ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, real and imagined lose their meaning, but the guiding power of love remains.

Maggie, part French, part Mi'kmaq, arrives at the little seaside cottage inherited from Gheeju, her Mi'kmaq grandmother. It's a foggy night, and unable to sleep, Maggie takes Gheeju's birchbark canoe, and paddles along shore. In the mist, she bumps into a galleon. Before she can understand what is happening, the canoe is pulled towards the ship. Maggie escapes the force, but cannot understand why the fog has dissipated and why someone from the galleon is firing at her. When Maggie Burns first realises the truth---that she's been transported to another time--she knows her life has changed, but is it a change she can embrace? Torn between her heart and her home, between her old world and her new love, Maggie must decide what she wants.

his the story of 12-year-old Dene Cho, who is angry that his people are losing their language, traditions, and ways of being. Elder Snowbird is there to answer some of Dene Cho's questions, and to share their history including the impact Residential schools continue to have on their people. It is through this conversation with Snowbird that Dene Cho begins to find himself, and begins to realize that understanding the past can ultimately change the future.

Lucy and Lola are 11-year-old twins who are heading to Gabriola Island, BC, to spend the summer with their Kookum (grandmother) while their mother studies for the bar exam. During their time with Kookum, the girls begin to learn about her experiences in being sent -- and having to send their mother -- to Residential school. Ultimately, they discover what it means to be intergenerational survivors.

The inspiration for the collection comes from American Poet Charles Bukowski who wrote "In between the punctuating agonies, life is such a gentle habit." Following this theme of extraordinary ordinariness, A Gentle Habit is a collection of six new short stories focusing on the addictions of a diverse group of characters attempting normalcy in an unnatural world.

Dead White Writer on the Floor uses two literary conventions--theatre of the absurd and mystery novels--to create one of the funniest and thought-provoking plays ever about identity politics. In Act One, six "savages"; noble, innocent, ignorant, fearless, wise and gay, respectively; find themselves in a locked room with the body of a white writer, which they stash in a closet. None of them can figure out how he died or which of them might have killed him. They realize as they point fingers at each other, however, that they are all profoundly unhappy with their lives as they've been constructed over the past four hundred years: Old Lodge Skins wants to know what it feels like to be a young man; Billy Jack wonders what spreading healing rather than pain would feel like; Injun Joe is desperate for an education; Kills Many Enemies is exhausted by his deadly seriousness and yearns for a sense of humour; Pocahontas seeks to feel respected as a woman rather than lusted after as a child sex object; and Tonto wants to "come out of the canyon" and be the one wearing the mask for a change. Gradually, they figure out that the latest iteration of Gutenberg's invention buzzing like a beehive on the dead writer's desk is actually a dream-catcher, which they can use to rewrite their lives in the image of their own inner beings. Imagine their surprise when they reappear in the same locked room in Act Two as Mike, Jim, Bill, John, Sally and Fred--attending an A.A. meeting and bickering among themselves about reserve politics, unmanageable family relationships and whether Bingo has a place in their new air-conditioned casino--and realize the white writer must still be very much alive in their community; his body in the closet is still warm!

Based on a deposition signed by 14 Chiefs of the Thompson River basin on the occasion of a visit to their lands by Canadian Prime Minister Sir Wilfrid Laurier in 1910, Ernestine Shuswap Gets Her Trout is a ritualized retelling of how the Native Peoples of British Columbia lost their fishing, hunting and grazing rights, their lands, and finally their language without their agreement or consent, and without any treaties ever having been signed. It is one of the most compellingly tragic cases of cultural genocide to emerge from the history of colonialism, enacted by four women whose stories follow each other like the cyclical seasons they represent. Written in the spirit of Shuswap, a "Trickster language" within which the hysterically comic spills over into the unutterably tragic and back, this play is haunted by the blood of the dead spreading over the landscape like a red mist of mourning.